Tuesday, December 01, 2015

Primitivization of Sri Lankan music

Today I listened to the audio CD titled "Maitres De Sri Lanka: Masters of Sri Lanka" (Jouffa, François. Maitres De Sri Lanka: Masters of Sri Lanka. France: Frémeaux, 2007. CD.). It contains 15 audio tracks. According to the producers it contains "an art that is disappearing expressed by its last great masters". This maybe true to ....as it present some recordings of  tovil ritual. However, overall this CD misguides the audience about Sri Lankan ritual music and dance. To me this production is a fake spiritualization music recorded in Sri Lanka. Eleven out of fifteen tracks contains keyboard instrument and/or string instruments, which is totally absent in traditional ritualistic music. It even included the song "Premayen mana ranjitha we...." that is composed by Ediriweera Sarachchandra in Maname, a modern Sinhala drama staged in 1956. I would argue that this is a sheer primitivization of Sri Lankan music.

Monday, December 15, 2014

සිංහල මාස ක්‍රමය / Months acording to Sinhala system

ජනවාරි         -        දුරුතු
පෙබරවාරි     -        නවම්
මාර්තු           -        මැදින්
අප්‍රේල්         -        බක්
මැයි             -        වෙසක්
ජුනි              -        පොසොන්
ජූලි              -        ඇසළ
අගෝස්තු      -        නිකිනි
සැත්තැම්බර්  -        බිනර
ඔක්තොම්බර් -        වප්
නොවැම්බර්  -        ඉල්
දෙසැම්බර්     -       උදුවප්

Saturday, August 27, 2011

Dance and the Nation
Performance, Ritual, and Politics in Sri Lanka
By Susan A. Reed
(Pub. April 2010)

Around the globe, dances that originate in village, temple, and court rituals have been adapted and transformed to carry secular meanings and serve new national purposes. In stage performances, dance competitions, and festivals worldwide, dance has become an emblem of ethnicity and an index of national identity. But what are the “backstage” stories of those dances and what have been the consequences for their communities of origin? In Dance and the Nation, Susan A. Reed brings to light the complexities of aesthetic politics in an exploration and analysis of Kandyan dance in Sri Lanka.

As the national dance of Sri Lanka, Kandyan dance is identified with the majority Sinhala ethnic group and heavily supported by the state. Derived from an elaborate village ritual performed by men of the hereditary drummer caste, the dance was adopted by the state as a symbol of traditional Sinhala culture in the post-independence period and opened to individuals of all castes. Reed’s evocative account traces the history and consequences of this transition from ritual to stage, situating the dance in relation to postcolonial nationalism and ethnic politics and emphasizing the voices and perspectives of the hereditary dancers and of women performers.

“Dance and the Nation will stand as a landmark contribution to dance ethnography and be regarded as an important text in South Asian studies as well as dance studies for many years to come.”—Sally Ann Ness, University of California, Riverside

“One would be hard-pressed to find so detailed and well theorized an ethnographic study as this on the contingent conjunction in the political economy of a nation of aesthetic form, ritual content, and political substance that raises so many ethical questions of significant import. It is, indeed, a new chapter in the anthropology of dance.”—E. Valentine Daniel, Columbia University

“Dance and the Nation is not only a significant contribution to Sri Lankan and South Asian studies but also to the literature of contemporary nationalism. The book is about ‘dancing the nation,’ that is, creating a national dance out of a purely local ritual performance. Susan Reed shows with insight and sympathy the consequences of this transformation for gender and caste identities and provides an important critical commentary on the larger processes of exclusion and inclusion in nation making.”—Gananath Obeyesekere, Princeton University

Susan A. Reed is a cultural anthropologist and director of the Center for the Study of Race, Ethnicity, and Gender at Bucknell University.

For more information regarding publicity and reviews contact our publicity manager, Chris Caldwell, phone: (608) 263-0734, email: publicity@uwpress.wisc.edu
(From http://uwpress.wisc.edu/books/4559.htm)

Thursday, November 27, 2008

Original purpose of creating this blog was to communicate with my professor about the progress of my Master Thesis. It was about designing an eLearning course on Kandyan dance of Sri Lanka. After completion of the thesis, this blog carries my recent thoughts and findings about Kandyan dance of Sri Lanka.

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